Mixing existentialist screeds with some well placed “na-na-na-na-nas,” Williams rolls poker-faced through lyrics such as “I know that regression is rarely rewarded / I still need a certain degree of disorder / I hate to admit getting better is boring / But the high cost of chaos / Who can afford it?” Pointing out the currency of lousiness that is “The News,” Williams wriggles her way through weary sonic breaks and memorable choruses with equitable levels of drama. Whether singing high and wide (her usual), lowering her octave for quavering effect (the R&B-ish “Running Out of Time”), or deadpanning her way through a prickly mess (“C’est Comme Ça”), vocalist Hayley Williams sounds as if she’s having a ball, acting like a cross between an uncheerful cheerleader and finger-pointing narrator. Between the aggressive guitar attack, its outrageously catchy chorus and Williams intoning “If you have an opinion / Maybe you should shove it / Or maybe you could scream it / Might be best to keep it / To yourself,” this song should be the open car window soundtrack of Spring 2023. This is most true of the new album’s title track, a complexly soulful number with a woozily psychedelic bridge and jazzy free rhythms that refuses to let go of its anthemic chorus. Even during slower, meandering songs such as the mid-tempo “You First,” or“Figure 8,” with its Philip Glass-like backing track, it feels as if the entirely of what they’re up to is teetering and about to fall off its axis. This angular architecture gives Paramore – even at its sleekest, as produced by Carlos de la Garza – a dirtball, post-punk energy that’s irresistible. For five albums between 2005’s “All We Know Is Falling” and 2017’s “After Laughter,” lead vocalist Hayley Williams, guitarist Taylor York and drummer Zac Farro ran through shiny punk that swelled to synth-pop symphonia before calling it a day.įor their return, it sounds like guitarist York and drummer Farro have dialed in their old Vic Chesnutt and Gang of Four albums, as every spiky riff and punchy drum snap here is jaggedly askew and rhythmically off-the beat. Never truly content to be an atypical Fueled by Ramen band on the sad-sack, power-pop tip, Paramore did almost everything against mope-emo-type, save for jettisoning indignant lyrical outrage and melodic contagion when it came to crushingly catchy choruses. To that end, Paramore has probably made its best-ever album, or at least one that embraces present-day anxiety without fitting easily into any Hot Topic playlist. It was also nominated for a Grammy Award in 2010 in the category of Best Song Written for a Motion Picture, Television or Other Visual Media.After six years of Paramore’s members doing solid solo work and being away from each other as a band, they’ve crafted a sixth album, “This Is Why,” that takes all that anyone loved about them in the past and made it craggier and cattier, allowing themselves to face the concerns that come with age and social change without being heavy-handed about it. The song was certified Platinum in the United States on February 16, 2010, selling over 1,000,000 copies. "Decode" was an international commercial success, charting in the top 20 of the singles charts in Australia, France, and New Zealand, as well as earning the band their second top 40 hit on the Billboard Hot 100. It is also included as a bonus track on the international version of Paramore's third studio album, Brand New Eyes (2009). "Decode" was promoted to American modern rock radio by Fueled by Ramen and impacted on October 21, 2008, serving as the soundtrack's lead single. The song was first made available Octothrough Twilight author Stephenie Meyer's website. It was written by group members Hayley Williams, Josh Farro, and Taylor York. "Decode" is a song by American rock band Paramore for the soundtrack of the 2008 romantic fantasy film Twilight.
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